This week, the Heroquest map came out really well, and I’m quite pleased with the result. I’ve applied some of the lessons about pathing and layers in Dungeondraft from last time, and that really helped me create a sense of several layers of depth. On top of that, I had an idea to try something new, and I really enjoy the way it came out. So, without further ado, here’s this week’s map design process!
Interpreting the maps and making decisions
The two maps are, as usual, largely the same, with the US map featuring more monsters, traps, and room items. There’s a really interesting difference in the two maps, though: the NL map has Grak placed in the main conference room in the middle, whereas the US map has him in the exit room. To be honest, just game mechanically, the latter makes more sense to me, as he then functions like a final boss to the level. On top of that, in the NL version, the players could walk down the hall, open the first door they see, and immediately face the main antagonist! That’s quite a shock.
For once, the NL version doesn’t shy away from using the torture rack item in the top-right room, so that’s a fresh change. Following up on last week’s map, it’s clear now that it’s the Fimir monster model that’s consistently replaced by the Abomination model. Other interesting additions are the bottom left room in the US version getting a fireplace, and the top-left room now getting a weapons rack added to indicate where the players’ weapons will be.
Overall, the theme of the map seems pretty consistent: this is a dungeon, with a torture room to extract information, and some manner of central meeting place. There’s a storage room top-left, what looks like a kitchen bottom-left, and some kind of generic room bottom-right. The empty room bottom-center is a bit of a mystery still, but that shouldn’t be too much of an issue. Overall, an map that fits an easy theme.
For some reason, though, this week, I really felt like making a mountain-top map. Perhaps it was the Prince Magnus’ Gold map that spoke of the Black Mountains location, or just that I’ve been playing Skyrim lately but I wanted to have snow-covered peaks in my map this time. So, I flipped the idea of a dungeon: rather than have it be deep in the earth, I put it on the top of a mountain—equally as inaccessible and foreboding.
Information from the flavor text
As was the case last time, this time the NL and US flavor texts actually fully agree:
The Legacy of the Orc General
Grak, the repulsive child of Ulag, has sworn to avenge his murdered father. After months of searching, he tracked you down, ambushed you, and has taken you captive in his dungeons while he wracks his brain to think up a horrible punishment for you. While the guard is sleeping, you manage to pick the lock of your cell with a ratbone. Ye must find your equipment and escape.My translation of the Dutch version of the text.
While I chose the word “repulsive”, it could easily have been “foul”; similarly, “child” and “offspring” is more a choice of flavoring than exact meaning. In considering the translation, I did come to appreciate the Dutch word “weerzinwekkend“. The Dutch word “zin“, in this context, indications “desire”, “appetite” or “intention”. “Weer“, in the adverbial sense, is a contraction of “weder“, meaning “again”, “back” or rather in the older Germanic sense “against”. Lastly, “wekken“, in this case, is derived from “opwekken“: “to generate” or “to create”. So, as a word “weerzinwekkend“, translated overly literally, would mean “to generate a sense of distaste against itself”. Wow, what a word!
Philology aside, we can deduce a number of things from this text. Firstly, Grak has “dungeons”, so likely he has an established settlement (compared to, for example, Prince Magnus’ Gold, where the Orcs were just hiding in some mountains). Furthermore, this is a place where he can calm his mind and decide on things; after all, this is where he took the heroes to determine their punishment. So, the area itself is likely quiet or restorative, and there’ll be places to consider, discuss, and contemplate.
Potentially, that reference to Grak having to work out a proper punishment might even give some meaning to that odd space at the top-right of the map. Regardless of where the map is set, that large surrounding walkway makes little sence, as it leads nowhere and there are quicker routes to get to each room. So, perhaps, if we’re putting this all on a mountain top, that is the edge of a mountain where Grak might throw down prisoners as a means of execution!
Translating into a final map
Taking some cues from Prince Magnus’ Gold map, I knew I wanted to layer some pathed cliff assets from Crosshead create the peaks, and use Krager’s Shadow & Light Pack to create a sense of depth. The key to make it work this time was to ensure that I was carefully apply consistent layers from the start. I had to decide which was my core level, which areas were lower, and which higher. I decided that the elements to the lower-left of the map would be higher up on the mountain, and since I liked the idea of the execution place on the top-right, that means the top-right of the map would have to be “lower”. While, by necessity, the Heroquest map format would result in a bit of a square-looking mountain, I’m still quite happy with how that looks overall.
Given that this is a mountain-top feature, I assumed that stone would be the most used building resource. After all, you’re already generating your main resource just by clearing the space to build your structures. So, I decided on stone tiled pathing to represent Heroquest‘s hallways. Moreover, all the rooms would be stone-walled. In retrospect, since this is a snow-capped mountain, I realize this would make every place be quite cold, so I should have focused on creating a source of warmth in each room. Currently, the cell, bedroom, dining room, and study lack such a feature. Well, let’s chalk that up to Orcs being hardy and not caring much about the wellfare of their prisoners!
Another element that I wanted to put back into my maps is the creation of little environmental narratives just to add detail. So, in the kitchen in the lower-left of the map, for example, you can see some sacks of trash to the south, with a dirty line back to some muddy boots, next to a mop. I figured that somebody just took out the trash, which leaked, and got a mop ready to clean everything up again. In the little depression at the bottom-right, I wanted to hide some bones, as though people disposed of former prisoners there. Below the grate in the torture room, more bones can be found, as though somebody was locked there. Lastly, the rickety bridge at the top of the map has a snapped chain hanging on both sides of that ravine. Perhaps that’s a sign of neglect, or perhaps Grak has decided that’s a great place to throw people down to the forest far, far below.
All these details leave me a little conflicted. The light version of rhe map shows these details most clearly:
However, as always, I like the darker, night-time version of the map, as I love the contrast of blues and reds with fires. It just makes the map really pop for me:
I’ve started experimenting a little with more map-wide light coloring, such as trying a slight orange tone to create an autumn feeling or perhaps a late-afternoon sun. I’ve hit some nice notes, and will look forward to experimenting more with that. Ether way, below you cna compare the two quickly:
Full-sized versions of these maps can be found on a post I made on Reddit about this:
So, which version of the map do you prefer—the dark or the light version?